Thursday, October 24, 2013

Morning Report: Melvin Guillard says dispute with Grudge Training Center forced move to American Top Team


Melvin Guillard may have found a permeant base camp at long last. As reported on UFC Tonight by our own Ariel Helwani, Guillard says he's made the last camp change of his career.


"Remember, we all thought [Guillard] had found a home after his great KO of Mac Danzig in July. He had trained for that fight with the Grudge Training Center after bouncing around for quite some time, gym to gym. We thought, 'This is great. He looks good coming out of that camp.' Shortly thereafter he changed camps again. He's now training out of the American Top Team gym and he lives around that area (Coconut Creek, Florida)."


"He told me he left Grudge, because, basically they couldn't come to an agreement about how much he owes them. They had a disagreement about the percentage that he had to pay them. They gave him an ultimatum, he said 'goodbye,' and now he's training at ATT. He said he is not moving again. This is his home for life. ATT it is."


Guillard, who faces Ross Pearson this Saturday at UFC Fight Night 30 in Manchester, insists all the pressure in this fight rests with the Brit. Never lacking confidence, Guillard even jokingly referred to the bout as 'a free vacation with the wife.' After saying he used to routinely drop Diego Sanchez in sparring, could a fight with 'The Dream' be in the mix with a big win Saturday night?


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5 MUST-READ STORIES


Big plans for '14. Featuring no less than 35 events, the UFC broke off some dates for its gutsy 2014 schedule.


DC doesn't want Gustafsson in Europe. Daniel Cormier says he'd feel more comfortable making his first cut to 205lbs in the U.S., as opposed to Sweden, the land of saunas. "I don't want to be making my first weight cut down to 205 overseas. I know what I'm going to need, I want to find saunas here in the United States and all the food that I'm comfortable with in order to make the weight."


Chat Wrap. Luke Thomas answers your questions while recapping UFC 166 and previewing this weekend's upcoming events.


Next for Bisping. On the mend with an eye injury, Michael Bisping says he wants the Lyoto Machida vs Mark Munoz winner sometime early next year. "In some ways, this is going to be best thing to happen to me. I know it sounds like a cliche, but I had my career almost taken away, and it made me realize how much I still have left to achieve in this sport."


Defending the crown. A great technical breakdown of UFC 166's main event between Cain Velasquez and Junior dos Santos.


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MEDIA STEW


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Dana's vlog from backstage at UFC 165.



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Randy Couture vs. Lyoto Machida at UFC 129.



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UFC Fight Night 30 open workouts.



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Shinya Aoki's invisible submission.



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Highlights from Dare Fight Sports' October event.


WARNING, liberal dosage of strobe lights.



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Cain Velasquez sits down with Daniel Cormier.



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Jimi Manuwa talks Ryan Jimmo.



With bonus BT Sport piece.



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TWEETS



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Getting a little personal.




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Looking for video.



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What is going on in the top left?



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Bendo with the first reports out of China.



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Quick break.



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Sorry to hear, Mr. Struve.



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Stern. Stern, but fair.



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I'm going with Mexico on this one.



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FIGHT ANNOUNCEMENTS


Announced yesterday (Oct. 23 2013)


NA


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FANPOST OF THE DAY



Today's Fanpost of the Day comes via Connor Ruebusch.


Heavy Hands Episode Five



Part one of Heavy Hands this week brings back boxing trainer Luis Monda to discuss the results of Timothy Bradley vs Juan Manuel Marquez, and how Tim Bradley is becoming, like Bernard Hopkins and Floyd Mayweather, a master spoiler.


Luis also explains the differences between pure boxing and boxing for MMA, and the similarities.


Finally, a discussion of the "hard right hand" that Luis teaches, as requeste by listeners, including a harrowing tale of Connor hurting his shoulders because he's scared of the punching bag.


...



Check out the rest of the post here.


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Found something you'd like to see in the Morning Report? Just hit me up on Twitter @SaintMMA and we'll include it in tomorrow's column.


Source: http://www.mmafighting.com/2013/10/24/4987310/morning-report-melvin-guillard-ross-pearson-ufc-fight-night-30-dana-white-cormier-gustafsson
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Poll: Congress, tea party take hits from government shutdown (cbsnews)

Share With Friends: Share on FacebookTweet ThisPost to Google-BuzzSend on GmailPost to Linked-InSubscribe to This Feed | Rss To Twitter | Politics - Top Stories News, RSS and RSS Feed via Feedzilla.
Source: http://news.feedzilla.com/en_us/stories/politics/top-stories/335655429?client_source=feed&format=rss
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The 1975, Influenced By The '80s





The 1975's self-titled debut is out now.



Dave Ma/Courtesy of the artist

The 1975 has been on a meteoric rise in 2013. The pop-rock quartet's self-titled debut album landed at No. 1 in the U.K. Earlier this summer, the band opened for The Rolling Stones in Hyde Park, London.


While the band is rooted in the present with its current success, its throwback influence goes beyond its name. Lead singer Matthew Healy says The 1975 was inspired by the 1980s — specifically, '80s teen movies.


"Those movies, they discuss everything that I discuss: love, fear, sex and a longing for something beyond. A longing for something bigger," says Healy. "Everybody knows the feeling of a moment being particularly cinematic. I don't know what the world was like before cinema and music and art existed. All I know is that my brain is based around the things that I've seen. And I think the idea of romance, that kind of lustful desire, that's what I am obsessed with."



John Hughes, the filmmaker behind cult classics like The Breakfast Club, Ferris Bueller's Day Off and Sixteen Candles, put teen angst front and center in his productions; Healy says those movies have stayed with him and influenced the lyrical imagery of songs like "Heart Out."


"It's an obvious fist-in-the-air moment. You can imagine doing an amazing freeze-frame shot to this song," says Healy. "There's such a visual element to it when I'm writing. I have quite a clear-cut narrative — a tiny John Hughes movie, if you will — in my head when I'm writing."



Source: http://www.npr.org/2013/10/22/239678245/the-1975-influenced-by-the-80s?ft=1&f=10001
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Android Central's Halloween Contest 2013: Share your photos with #LloydOWeen and win!

#LloydOWeen

With Halloween falling on a Thursday this year, we know a lot of you will be out this weekend in costume getting your party on. Odds are you'll be carrying a phone in your pocket too. Heck, some of you will probably even be dressed up as a phone or tablet.

We had a great time with our Halloween Contest the last several years, and we can't wait to see how you guys top it this year! While you're out getting spooky, be sure to snap a photo with your Android phone (you can include other mobile gadgets to, but you know... we love Android best). Then tweet or Instagram it using the hashtag #LloydOWeen, or email us your photos. We'll put together all the photos received into a sweet video for the blogs. And beyond that, you can win some awesome prizes for taking part.

Full details after the break!

read more


    






Source: http://feedproxy.google.com/~r/androidcentral/~3/R_F2YLYCZMQ/story01.htm
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Study: Despite bright, shiny rivals, good old Office still rules at work


In the office, people still prefer Microsoft Office.


Yes, despite threats from rivals that are open source, cheaper, fully cloud-based or more mobile-friendly, Microsoft Office's desktop suite reigns over the workplace productivity software kingdom.


[ InfoWorld reviews Office 2013, the best Office yet, and reveals the best office apps for your iPad. | Stay up on key Microsoft technologies in our Technology: Microsoft newsletter. ]


That's the conclusion Forrester Research reached after recently polling 155 enterprise IT professionals with decision-making power over their company's choice of office software suites.


"Things haven't really changed," said Forrester analyst Philipp Karcher, who authored the report. "Office still has a stranglehold in this market."


While IT departments may grumble that Office has more features than most people need and that it's costly, the suite has been around so long that it owns the hearts of employees, who also use it at home for personal matters, the study found.


In that way, Office has benefitted all along from what is known today as the "consumerization of IT" trend, where people's choice of software and computing devices at home helps influence the IT tools companies offer them at work, Karcher said. Office is by far the market leader for office suites among consumers.


"People like Office. They're familiar with it at home and at work," he said. "Thus, it's hard to displace."


This despite advances in adoption of cloud email, which often comes bundled in with lightweight browser-based productivity suites, as in the case of Google Apps with Gmail and Docs, and Microsoft's own Office 365, which comes with Exchange Online and Office Web Apps.


The study found that 20 percent of surveyed companies are using cloud-based email and another 25 percent have plans to adopt it.


Currently, browser-based office suites, such as Google Docs, are mostly a complement to Office for employees who have "lightweight" needs, according to Karcher. Microsoft has responded to that use case with Office Web Apps, which offers a subset of the functionality of the full-featured desktop version.


The study also yielded surprising findings about what respondents find important about office productivity suites. Topping that list is compatibility with Microsoft Office file formats, followed by integration with the company's email system.


Also important, but not as much, are reduced license fees, compatibility with the company's existing macros and integration with its enterprise social collaboration platform.


Ranking on the low end of priorities are features that get a lot of attention in the market for their razzle-dazzle but apparently aren't very interesting yet in the real world. Those include the ability for multiple users to simultaneously co-edit documents, which is a big Google Docs feature, and mobile apps for iOS and Android devices, which indicates there isn't a lot of interest in using office suites with tablets just yet.


Another eye-opening finding is that while 90 percent of companies give every employee a copy of Office, only 6 percent also provide their users with an alternative suite.


Source: http://podcasts.infoworld.com/d/applications/study-despite-bright-shiny-rivals-good-old-office-still-rules-work-229232?source=rss_applications
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Soft-spoken teen accused of killing Mass. teacher


DANVERS, Mass. (AP) — A well-liked teacher was found slain in woods behind this quiet Massachusetts town's high school, and a 14-year-old boy who was found walking along a state highway overnight was charged with killing her.

Blood found in a second-floor school bathroom helped lead investigators to the body of Colleen Ritzer, a 24-year-old math teacher at Danvers High School who was reported missing when she didn't come home from work on Tuesday, Essex District Attorney Jonathan Blodgett said.

"She was a very, very respected, loved teacher," Blodgett said.

The suspect, Philip Chism, was arraigned on a murder charge Wednesday and ordered held without bail. The teenager, described by classmates as soft-spoken and pleasant, also did not come home from school the day before and was spotted walking along Route 1 in the neighboring town of Topsfield at about 12:30 a.m. Wednesday.

Officials didn't release a cause of death and haven't discussed a motive in the killing.

A court filing said Ritzer and Chism were known to each other from the high school, but it did not elaborate. The arrest was made based on statements by the suspect and corroborating evidence at multiple scenes, investigators said in court documents.

Ritzer's family said they are mourning the death of their "amazing, beautiful daughter and sister."

"Everyone that knew and loved Colleen knew of her passion for teaching and how she mentored each and every one of her students," the family said in a statement provided by her uncle Dale Webster.

At his arraignment in adult court in Salem, Chism's defense attorney argued for the proceeding to be closed and her client to be allowed to stay hidden because of his age. The judge denied the request. The lawyer, Denise Regan, declined to comment outside court. No statement had been released from his family by Wednesday evening.

The tall, lanky teenager had moved to Massachusetts from Tennessee before the start of the school year and was a top scorer on the school's junior varsity soccer team, said Kyle Cahill, a junior who also plays soccer. He said the team had been wondering where Chism was when he skipped a team dinner Tuesday night.

"We're all just a family. It just amazes me really," Cahill said. "He wasn't violent at all. He was really the opposite of aggressive."

Ritzer had a Twitter account where she gave homework assignments, encouraged students and described herself as a "math teacher often too excited about the topics I'm teaching."

She was a 2011 graduate of Assumption College in Worcester, a school spokeswoman said Wednesday. She graduated magna cum laude with a bachelor of arts degree in math, a minor in psychology and a secondary education concentration, according to the college's 2011 commencement program.

One of her former students, Chris Weimert, 17, said she was a warm, welcoming person who would stand outside her classroom and say hello to students she didn't teach. He said she had been at the school for two years.

"She was the nicest teacher anyone could ever have. She always had a warm smile on her face," he said.

Ryan Kelleher, a senior, said students related to the young teacher, who liked to wear jeans and UGG boots just like the teenagers she taught. Kelleher, who also plays soccer, said the arrest of the soft-spoken Chism didn't make sense to him.

"From what I know about him and seeing him every day, it just doesn't add up that he would do such a thing, unless this was all an act to fool somebody," the 17-year-old said.

Ritzer lived at home with her 20-year-old brother and her sister, a high school senior. The close-knit family was often outside, barbecuing, spending time together and enjoying each other's company, neighbors said.

Mary Duffy has lived next door to the Ritzers in the suburban neighborhood in Andover since the family moved there more than two decades ago. She had known Colleen Ritzer from the time she was a baby and said the Ritzers' oldest child had just one life ambition: to be a high school math teacher.

"All I ever heard is that she loved her job," Duffy said.

All public schools in Danvers, about 20 miles north of Boston, were closed Wednesday.

The Boston Red Sox had a moment of silence for Ritzer Wednesday before Game 1 of the World Series.

Hundreds turned out for a candlelight vigil Wednesday evening on the parking lot of the school. Many wore pink, Ritzer's favorite color. They prayed and sang and, at the end of the vigil, they placed their candles along with some stuffed animals in the middle of a ring they have formed for the gathering.

"She supported all of us. We should be there to support her," said Danvers senior Courtney Arnoldy, 18, who had Ritzer for a teacher.

Ritzer is the second teacher allegedly killed by a student in the U.S. this week. A Sparks, Nev., middle school teacher was allegedly shot by a 12-year-old student on Monday.

___

Associated Press writer Lynne Tuohy in Andover and news researcher Rhonda Shafner in New York City contributed to this report.

Source: http://news.yahoo.com/soft-spoken-teen-accused-killing-mass-teacher-184209455.html
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Wednesday, October 23, 2013

Arcade Fire In The Throes Of Transformation





Arcade Fire on Saturday night in Bushwick. Win Butler on the left, Richard Reed Parry on the right.



Courtesy of Sachyn Mital


Arcade Fire on Saturday night in Bushwick. Win Butler on the left, Richard Reed Parry on the right.


Courtesy of Sachyn Mital


Saturday's hottest ticket in New York City was to see a band nobody's heard of. The Reflektors burned through a fan-only presale, and tickets hit the secondary market at prices high as $5,000 — a hefty sum to see any band, much less a band yet to release its first album, in Bushwick's warehousiest corridors. That's like half a year's rent for that neighborhood. But the hype was real. Based only on the "Is-this-really-happening?" disbelief stretching the faces of all the superfans and industry types in the audience, you'd think they were about to see a band that would never play a skuzzy converted depot in east Brooklyn: U2 or Bruce Springsteen, or, I don't know, Arcade Fire.


The thing about the musicians on stage was that they looked a lot like Arcade Fire. Despite his Jack White-like red shirt and white tie, the bassist's flaming red hair drew Richard Reed Parry comparisons. And they sounded like Arcade Fire, too. They even covered "Sprawl II." And that's because — (no) surprise! — The Reflektors was Arcade Fire. That cat was never really in the bag. After a little tongue-in-cheek stage banter ("We started three years ago. We were nervous to play New York because we heard you're standoffish!"), a gold-suited Win Butler and his band ran through a set of mostly unheard tracks from their upcoming album Reflektor, masquerading as a brand new band riding the promotional cycle for its first album.


But the group that played at 299 Meserole this weekend, no matter what you called them, was clearly neither a set of wide-eyed naïfs dropping their first 12", nor the band that made sneaking out of your parents house feel like toppling the Berlin Wall. The musicians were belied by more than their popularity; never mind that most in attendance — who embraced the show's "formal" dress code with thrifted tuxes, reflective masks or fratty banana suits — only got access to buying these tickets after pre-ordering Reflektor. They're also darker, and maybe a more disillusioned, too. "We're so excited to play CMJ," Butler called out sarcastically. "Thank you so much to all the industry types who offered to sign our band!"


But the plucky effrontery that has underpinned all Arcade Fire's work to date is crumbling. The band has told stories about struggling under somebody's thumb since its 2003 debut album Funeral. Songs like "Wake Up" and "Crown of Love" captured an anthemic emotional power, half hope and half rebellion, unmatched by the group's successors and copycats. The songs bloomed around refrains that felt bigger than any stadium they eventually filled. But this is less so on Reflektor. The new songs Arcade Fire played Saturday were full of new (mostly rhythmic) ideas coming to the fore and many old (mostly romantic) identifiers fading away.


Some saw that change coming when Arcade Fire announced that James Murphy, the David Bowie-obsessed former face of LCD Soundsystem and head of disco-punk label DFA, was announced as Reflektor's producer. He introduced the band at the show. Others heard it in the album's dynamic, Bowie-featuring first single, which abandoned that operatic Springsteenian populism for pop reflective of the transformations undertaken by their arena-sized predecessors the Talking Heads and U2 (there's that similarity again).



That change got its first full public display in Bushwick. Take "We Exist," for one. Four years ago an Arcade Fire song with titles that way might've sounded like "Born to Run," but when that "Hang On To Your Love"/"Your Cover's Blown" bassline crept out beneath the venue's Murphy-esque disco balls and reflective hanging polygons, it left no ambiguities about the type of music Arcade Fire is now interested in making. Fans of the group should have been safe assuming they'd get the standard fare of marching violinists yowling to the rafters, but instead were blindsided by Sade. With strings marginalized and two miscellaneous percussionists in tow, this group looked and sounded more like Stop Making Sense than In the Aeroplane Over the Sea.


This departure is not a totally clean break from their last work, 2010's Grammy-winning, Twitter-enraging The Suburbs. There were of course the type of joyful moments Arcade Fire is known for (see the swelling "Supersymmetry"), and brand new sounds, like the Princely backup vocals of "It's Never Over (Orpheus)" and the murky rave-up "Here Comes the Night Time." But taking the stage in the throes of a transformation didn't always work in Arcade Fire's favor. The band sometimes sounded uninspired performing new songs they'd written in their old style (like the underwhelming "Joan of Arc") or those that didn't do Butler's heady aspiration to sound like "a mash up of Studio 54 and Hatian voodoo" real justice (the chopped reggaeton of "Flashbulb Eyes"). Some old favorites even looked limp in their new duds (like the beloved "Neighborhood #3 (Power Out)"), while others ("Haiti") sound suddenly prophetic of where the band has touched down.


Gone is the jubilation of the Arcade Fire of days past. The crowd occasionally felt awkward inside the band's new big beat, and responded to Butler's post-encore announcement that there would be no more Reflektors, or Arcade Fire, tonight but rather a DJ set from James Murphy for those who wanted to "dance all night," with more than a smattering of boos. But the band itself is dancing toward something that'll lead it outside the sounds their old crowd formed around. Seeing that live was alone worth the price of admission.


Source: http://www.npr.org/blogs/therecord/2013/10/23/240251629/arcade-fire-in-the-throes-of-transformation?ft=1&f=1039
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